The 22nd annual Bridge School Benefit line-up was announced yesterday. The event will be held (as usual) at the Shoreline Amphitheater in Mountain View, CA on Saturday & Sunday, October 25th & 26th.
Here's the line-up:
Saturday: Neil Young Pegi Young ZZ Top (Saturday only) Nora jones Jack Johnson Death Cab for Cutie Wilco Cat Power Band of Horses (Saturday Only) Sarah McLachlan (Saturday only)
Sunday: Neil Young Pegi Young Smashing Pumpkins (Sunday only) Nora Jones Jack Johnson Death Cab for Cutie Wilco Cat Power Josh Grobin (Sunday only)
I would guess tickets will be on sale next weekend.
Update: Tickets will go on sale at 10 a.m. Sunday at Ticketmaster outlets and the Shoreline box office, at www.livenation.com and www.ticketmaster.com, and at (408) 998-8497. Prices are $39.50 for the lawn and $75-$150 for reserved seats.
For those of you who haven't heard of the Bridge School, Neil and Pegi Young founded the school and organize the annual all-acoustic two-day concert every fall, attracting sell-out crowds to the event which supports the operations of the school. Learn more by visiting their site here.
Update #2: Due to a scheduling conflict, ZZ Top will not be able to perform. Band of Horses will be replacing ZZ Top.
Trent Reznor's latest incarnation of Nine Inch Nails swung through Oakland last night with a slightly modified roster of artists joining Trent onstage from the last 'With Teeth' tour 2 years ago. Allesandro Cortini (keyboards/synths) and Josh Freese (drums) reprised their roles and Robin Finck returned to lead guitar (replacing Aaron North from the With Teeth tour) after previously playing with the band during the Self Destruct and Fragility tours in the late 90's. Robin took a break to work with Axl Rose (of Guns n Roses) on the upcoming Chinese Democracy album. The newest member, Justin Meldal-Johnsen, Beck's long-time bassist and accomplished studio musician and producer, joined the team on bass, replacing Jeordie White who left to rejoin Marilyn Manson.
The show kicked off just about 10 minutes before 9pm and continued for a solid 2 hours with songs taken from nearly 20 years of material. Classics from 1989's Pretty Hate Machine included "Terrible Lie" and "Head Like a Hole". And the radio anthem, "Closer", got the crowd into a frenzy within the first third of the show. With so much material to choose from, Trent strayed from the typical rock concert you might expect to play several arrangements from his instrumental album, Ghosts, that was released earlier this year. The slower interludes gave the crowd a chance to breathe before launching into pounding renditions of "Gave Up", "Survivalism" and the Grammy award winning "Wish".
Also noteworthy was that Trent broke from his traditional vocal, guitar and piano duties and took up the xylophone and some sort of electronic clarinet during the instrumental Ghosts songs.
Throughout the night, a massive curtain of LCD lights would descend and rise in front of the band where the light show seemed to be fairly interactive with the music being played. My clip of "Vessel" below may be the best example I was able to tape last night.
Overall, the light show was impressive but at times the curtain of lights seemed to distance the band from those of us in the audience who came to be a part of the show. And at other times, it came across as more of a performance art/concept show compared to a more traditional rock concert.
I can't help to think that I would have been blown away if the show was more focused on either Trent's rock-infused songs OR the slower tempo, semi-jazzy instrumentals. Don't get me wrong, the visuals were stunning... And if you haven't seen NIN live before, you'll still be impressed with the show. But it seemed that the combination of high/fast-tempo, balls-to-the-wall rock songs just didn't work as they were mixed up against the slower instrumentals. Don't get me wrong, it was a good show, but I've definitely seen better performances from Trent & co.
Here's somewhat of a good example with Trent playing piano on "The Frail" that leads into "Closer"... Not as drastic of a segue as other examples during the show...
Trent's performance at the Bridge School Benefit, Neil Young's all-acoustic annual festival, a couple of years ago still stands out in my memory for the complete re-interpretation of his electronic songs mixed into an avante garde performance that will go down as one of his greatest. As he tried to slip some of that inspiration into last night's set-list, it seemed to me, that it would be better off as a honed experience separate from the walls of amps found in this tour.
Here's some video I found on YouTube of the Bridge School performance:
Back to last night...
Other songs that stood out last night include the timeless "Head Like a Hole":
And the show closer, "In This Twilight", which you can possibly make out the apocalyptic city burning in the background:
The last thing I'll mention is that the crowd was mainly made up of young teenagers through people in their late 30's or so. There was also an odd smell that could have been made-up of a combination of bad pot, extremely bad body order, and beer or puke (or both) -- keep in mind I was back towards the main soundboard on the floor, well behind the pit. So I think the crowd around me were those who had escaped the pit and wanted to enjoy the lightshow with some cheap pot -- definitely not a pleasant smell for those just trying to enjoy the music!
Finally, here's the setlist from last night (thanks to the nin.com forums for keeping track of the specifics):
999,999 1,000,000 Letting You Discipline March of the Pigs Head Down The Frail Closer Gave Up Corona Radiata The Warning Vessel 5 Ghosts I 17 Ghosts II 19 Ghosts III Ghosts Piggy The Greater Good Pinion Wish Terrible Lie Survivalism The Big Come Down 31 Ghosts IV Only The Hand That Feeds Head Like A Hole